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Aipan artwork under progress.

Aipan Art of Uttarakhand

The peace and serenity of Uttarakhand has led to the development of paintings, Aipan art and other important arts. Stone and wood carvings also emerged as a famous art form in Uttarakhand. You can see evidences lost art of rock painting and rock engravings in Kasardevi and Dunagiri regions of Uttarakhand. The Pahari Painting is inspired by the battles between good and evil. It has covered vast subjects like Indian life, culture and traditions. The Pahari Kalam style of painting was developed in the Kumaon area and was practiced in some of the Himalayan regions. The paintings of Uttarakhand have a sense of freshness and diversity about them. 


Paintings of Uttarakhand range from the folk arts of the women of Kumaon to the most exquisite miniature arts of Garhwal. Uttarakhand is home to school of the Pahari School of painting known as the Garhwal School of Painting. The pioneer of the Garhwal School of painting was Mola Ram, a painter, poet and a historian. 


The women folk of Kumaon also practice a different kind of painting called Aipan. In this form of painting, geometrical figures of Gods, Goddess and objects are painted on the walls, paper and pieces of clothes. Another form of wall painting is Peeth, which is one of the oldest of all the form of art practiced in Uttarakhand. Extensive use of geometric shapes are incorporated in these paintings as well. 


Contact team eoK to know more about Kumaoni Aipan, how to draw aipan, aipan design for door, aipan design for mandir, aipan design for deli, aipan design for kalash.

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Aiapn, artform of Uttarakhand

Aipan art Uttarakhand

Aipan

Aipan is a traditional folk art specifically made by women of Uttarakhand. It has great social, cultural and religious significance and are known by different names and is in popular in many parts of India with larger variations. Kumaoni Aipan has its unique identity which is always done on the empty walls and on the ground which is a symbol of fortune and fertility. The art form is used to decorate floors and walls at the Puja room (place of worship) and entrance of homes.


The typical art is done on all special occasions and household ceremonies and rituals. It is believed that these motifs evoke divine power which brings good fortune and wards off evil. Aipan art has different names in different parts of India. 


Names of the Art in different states:

  

  • Aipan in Uttarakhand
  • Alpona in Bengal and Assam
  • Aripana in Bihar and Uttar Pradesh
  • Mandana Rajasthan and Madhya Pradesh
  • Rangoli in Gujarat and Maharashtra
  • Kolam in South India
  • Muggu in Andhra Pradesh
  • Alpana, Chita, Jhoti and Muruja in Odisha. 

How to draw Aipan Art

  1. Traditionally, floors and walls are first cleaned with cow dung liquid to make the place dust proof. But now days all the houses do not apply cow dung solution due to cemented walls and flooring. 
  2. Then one circle is made with Geru (red clay solution) on which Aipan work is done when it is fully dried.
  3. In the meantime, rice is taken (soaked overnight) and ground into fine paste and checked for proper consistency. The rice paste should not be too thin or too thick.
  4. Traditionally, floors and walls are first cleaned with cow dung liquid to make the place dust proof. But now days all the houses do not apply cow dung solution due to cemented walls and flooring. 

Photostories

Kumaoni Aipan Artforms

Vasudhaara~Aipan Art

Dhuli Arghya Chowki

Dhuli Arghya Chowki

  • Place of worship, Pooja Vedika, door steps of house, structure made around Tulsi Plant are decorated with vasudhara aipan.
  • These Aipan are made by painting the place with ‘Geru’ and thereafter making vertical lines by dripping Bishwar (rice paste) by means of fingers usually by Anamika (Ring finger).
  •  These are drawn in the blocks consisting lines in odd numbers like 5, 7, 9 or 11.  

Dhuli Arghya Chowki

Dhuli Arghya Chowki

Dhuli Arghya Chowki

  • Twilight in India is called “Godhuli Vela” or the time when cows return home from the pastures. For weddings, the bridegroom’s side also arrives at the bride’s house at “Godhuli Vela”. 
  • In earlier days, the bridegroom’s entourage usually walked to the bride’ s place and so they arrived with dusty feet. Since the groom for this period repre

  • Twilight in India is called “Godhuli Vela” or the time when cows return home from the pastures. For weddings, the bridegroom’s side also arrives at the bride’s house at “Godhuli Vela”. 
  • In earlier days, the bridegroom’s entourage usually walked to the bride’ s place and so they arrived with dusty feet. Since the groom for this period represents “Narayan” God Himself, hence he is greeted with devotion and his dust covered feet are washed before the puja welcoming him begins, this practice is even followed today. 
  • He stands on a “Chowki” or small stool on which is painted a tree like figure with three branches coming out on the top.

Swastik~Aipan Artform

Dhuli Arghya Chowki

Swastik~Aipan Artform

  • This Aipan is drawn in some form or other during most of the religious rituals as Swastik in Hindu mythology represents all Gods and Goddess, all known or unknown. 
  • Swastik is the symbol of marching ahead for success, towards success with success. 
  • If someone does not have the knowledge of the occasion specific Aipan, Swastik is religiously accepted as substitute. 

Acharya Chowki~Aipan

Acharya Chowki~Aipan

Swastik~Aipan Artform

  • During marriage ceremony, the groom is always accompanied among others by his own Pandit or Acharya. A special chowki is made for The Pandit/Acharya as he is given more prominence than even the father of the groom. 
  • A Swastik is made on it with red colour. The lotus and other auspicious symbols such as a bell, a conch shell etc.

Namkarna Chauki~Aipan

Acharya Chowki~Aipan

Namkarna Chauki~Aipan

  • Naming ceremony of a new born is held on eleventh day of the birth. Namkarna Chauki Aipan is drawn in the courtyard, where the first time the baby is exposed to sun / open atmosphere (Surya darshan).
  • Sometimes this is also known as Surya Darshan Chauki. 

Lakshmi Padchinha

Acharya Chowki~Aipan

Namkarna Chauki~Aipan

  • Lakshmi Padchinha, comprises of the footprints of Goddess Lakshmi, and is drawn on Deepawali, right from main entrance of a home to the place of worship or the puja room. This are depicted below.
  • Lakshmi Peeth too is drawn on Deepawali in the puja room.

Janeo Chowki~Aipan Art

Janeo Chowki~Aipan Art

Janeo Chowki~Aipan Art

  • Janeo Chowki Aiapn comprises of seven stars, made within a six-sided drawing. The seven stars in the aipan represent the Sapt Rishis. Around the six-sided drawing, several dots are drawn.
  • This chowki is made especially for the sanctified thread ceremony, called janeo.

Astadal Kamal~Aipan Art

Janeo Chowki~Aipan Art

Janeo Chowki~Aipan Art

  • Astadal Kamal is the Aipan that is drawn at the place of a Havan (sacred fire). 
  • This Aipan artform design includes an octagonal figure with lotus petals, and a Swastik is drawn at the center. 

Bhadra~Aipan Artform

Janeo Chowki~Aipan Art

Bhadra~Aipan Artform

  • Bhadra form of Aipan is drawn in the puja room and at the time of a yajna. The bhadra with 12 dots is known as bindu bhadra. 
  • The number of dots can vary and with it, the patterns too differ, like 19 bindu bhadra, 24 bindu bhadra and 36 bindu bhadra etc.  

Wood cravings Kholi

Kholi

Kholi wood carving

The houses in the Kumaon region, Uttarakhand India, mostly hilly areas have the carvings on their doors, windows and ceilings which are adorned in a simple and gorgeous style by the artisans.

Artists here are skilled in capturing beauty of Kumaun and displaying then through the craft of wood carving, but this craft is on decline. Few decades ago, carving on the main entrance door was considered a status symbol. At that time, it was part of social status, family which had more carving over the doors was wealthier & had high status in the society.


Present Scenario

Current designs are of birds, flora and fauna, water mammals etc. Even today in the hilly area of Kumaon region in the state of Uttarakhand India, many old houses display the beautiful art of carving over the window panels and highlight natural beauty in their carvings. Most of the designs consists of carvings of birds, flowers, mountains, fruits and even the human figures.  

Photostories
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